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What happens between a spectator and an art work? How do we experience 'meaning' in an art work? How can the process of interpretation be understood and articulated? To address these questions, the author explores the field of reception aesthetics, with its central premise that the contemplation of art is a matter of interaction between the art work and the observer. The research is focused on unravelling and problematising the theoretical terminology of the interaction between art work and spectator, deriving from reception aesthetics as well as from hermeneutics and phenomenology, with the aim of building a new theoretical foundation for this terminology. Additionally, different concepts of spectatorship are extensively discussed. 'I believe it is more productive to research how the art work works or signifies than what it shows or might signify. This 'how' reveals itself mainly in the performative act of experiencing the work.' This book addresses scholars and students in the fields of art history, aesthetics and visual and cultural studies, as well as artists and art students, and all those art spectators who wish to develop a deeper understanding of the experience of art.
viewers [observers] --- Art --- art [fine art] --- art appreciation --- interpretation --- psychology --- aesthetics --- Tuerlinckx, Joëlle --- kunst --- kunsttheorie --- Tuerlinckx Joëlle --- 7.01 --- esthetica --- receptie-esthetica --- Art appreciation. --- Arts --- Reader-response criticism --- Spectators. --- Hermeneutics --- Reader-response criticism. --- Hermeneutics. --- Psychology. --- In art. --- Psychologie. --- Art appreciation --- Visual Perception --- Aesthetics --- Spectators --- Esthétique --- Rapport du spectateur à l'objet créé --- Perception de l'art --- Psychology --- In art --- Psychologie --- Tentoonstellingen ; 20ste en 21ste eeuw ; participatie van de toeschouwer --- Kunst; waardering; toeschouwers/publiek --- Kunst ; theorie, filosofie, --- Kunsttheorie ; over interactie ; participatie ; dialoog met het publiek --- Kunsttheorie ; visuele waarneming ; betekenis --- Kunsttheorie ; over interpretatie --- Arts - Psychology --- Reader-response criticism - In art --- Hermeneutics - In art --- Arts - Psychologie --- art [discipline]
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The shape of evidence' examines the role and use of visual documents in contemporary art, looking at artworks in which the document is valued not only as a source of information but also as a distinctive visual and critical form. It contends that for artists who use film, photography or written sources, adopting formats derived from specific professional, industrial, scientific of or commercial contexts, the document offers a way to develop a critical reflection around issues of representation, knowledge production, art and its history. It addresses several issues that are key both in art and in general culture today: the role of the museum and the archive, the role of documents and the trust that is placed in them, the circulation of such images and the historical genealogies that can be drawn in relation to images. It is based on a close reading of a select number of works of art (e.g. Christopher Williams, Fiona Tan, Jean-Luc Moulène), which makes it approachable and engaging with the reader. The book investigates objects and ideas drawn from a wide spectrum of areas including literature, history, photography history, scientific representation, surrealism, conceptual art, commercial photography etc. Ultimately the book invites viewers to reflect upon the production and interpretation of seemingly straightforward images, and proposes that some artists can show us through their practice how to turn these deceptively simple images inside out.
hedendaagse kunst --- art theory --- bronnenstudie --- inspiration --- Contemporary [style of art] --- visual arts --- Art --- anno 2000-2099 --- Photographie --- Cinéma --- Archives --- Muséographie --- Sémiologie de l'image --- Documentation --- kunst --- musea --- literatuur --- 7.01 --- 7.038/039 --- 7.039 --- dekolonisatie --- kolonisatie --- kolonialisme --- conceptuele kunst --- concept art --- surrealisme --- van Oldenborgh Wendelien --- Tan Fiona --- Augustijnen Sven --- Leonard Zoe --- Moulène Jean-Luc --- Williams Christopher --- fotografie --- film --- kunsttheorie --- archieven --- archivering --- 77.01 --- Fotografie--Semiotiek van de fotografie. Theorie --- Art, Modern. --- Image (Philosophy) --- 77.01 Fotografie--Semiotiek van de fotografie. Theorie --- Image (Philosophy). --- Image (Philosophy) in art --- Art. --- Contemporary style of art. --- art theory. --- bronnenstudie. --- hedendaagse kunst. --- inspiration. --- visual arts. --- Anno 2000-2099. --- visual arts [discipline] --- Fonds d'archives --- Muséologie --- Kunsttheorie ; musea ; maatschappelijke rol --- Beeldvorming ; representatie --- Kunsttheorie ; over interpretatie --- Dekolonisatie --- Conceptuele kunst --- Kunst ; theorie, filosofie, esthetica --- bronnenonderzoek
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